This past weekend we toured around the beautiful city of Victoria. Here are just a few shots I took with my X-Pro2 and the 23mm f2.
Nestled amongst a pile of thrift store treasures was an unopened 5 pack of expired Kodak Ultramax 400 film. Snatching up expired film, wether stored well or not is something I can never pass up. I asked thee older gentleman attending the shop how much he would like for the film and he very quickly said “how about a dollar”. How can you say no to a dollar for 5 rolls of film. Even if the film didn’t work the amount of fun that could be had just wandering and shooting would be worth it. As I do whenever I get film, expired or fresh, I quickly transfer it into my dedicated film fridge at home. This is where the Ultramax 400 sat for almost 9 months before I loaded it into my favourite walk around shooter, the Pentax ME.
Expired film is one of those things that people equate with lo-fi, lo-contrast, lo-quality, Lo-mography kind of images. However my experience with expired film stocks has been for the most part pretty favourable. I have no idea how long these rolls of Ultramax were laying on the thrift store junk heap or even if the previous owners had ever refrigerated them (doubtful) but I didn’t care, I decided to shoot it at box speed anyway. The expiration in 2002 which should have told me to shoot it 1 stop slower at ISO 200, but something in me said shoot it at box speed. What did I have to lose, it was only a buck. I shot the below images between 2 locations not far from my home in Nanaimo British Columbia. The first 8 images were shot in a quaint little hippie town called Coombs, known for their goats on the roof market place. The final two images were shot in a beautiful little beach town called Parksville during the world sand castle championships that are held here each year. I think the results really speak for themselves. Kodak colour negative films are almost impossible to over expose and this film renders colours in such a way that bring you back but not too far back, if you know what I mean. For a consumer grade film the grain seemed to be decently fine and although sharpened in Lightroom everything turned out fairly crisp. Over all I get kind of an Ektar vibe from this film and I love Ektar. Will I shoot Ultramax again. Definitely! To be fair, it’s not a pro film but When I compare it to some of its peers like Fuji Superia or Kodak Gold the Ultramax wins by a landslide. If you’ve made it this far in the article leave a comment and let me know what you think of Ultramax and also what your favourite consumer film to shoot is.
Fuji Superia has been on the shelves of grocerie and drug stores for years. It’s a staple consumer film. This film however is a bit more unique due to it’s speed. 800 ISO is a a relatively fast speed when it comes to colour negative film especially considering that it is meant for outdoor daylight circumstances. Recently I moved to Vancouver Island and because of the change of scenery I have been shooting often, in fact there is so much to explore here that my blog posts have almost become daily occurrences. Now when it comes to Fuji Superia 800 it is really a very run of the mill film colour wise. Sure it has the fast speed going for it but that’s really where it stops. I would like to really compare it to Kodaks counterpart Portra 800 but I have never shot that film so I will judge it really on my first impressions. GREEN... Absolutely everything has a green tint to it, not a vibrant green but a flat kind of washed out green. I will agree that it has a very signature Fuji type look but over all I prefer more vibrant rich colours. Now on to the grain, Oh yeah this film has grain but doesn’t all 800 speed films. If you don’t like grain move right along. For those of you that would like to know I shot these images on one of my favorite little 35mm cameras, the Pentax ME using the Pentax 50mm f2 lens. Would I recommend this film? Why not! Just shoot and have fun, that’s of course the point of this all Isn’t it. Would I buy it again? No! But I have one more roll in the freezer so I will definitely shoot it.
One of the reasons Street photography is so special because often your subject isn’t even aware that they are being photographed, as a result there is nothing but uninterrupted reality. Below are few images shot on the Fuji X-Pro 2 using the 23mm f2 and processed in Lightroom mobile using my favourite black and white profile (b&w02).